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This exercise provides more work on the mordent using French time names.
The finger pattern for the broken chords on line 1 of the music.
This exercise looks at the finger pattern for the seventh chords.
Expanding previous work over the tonic, subdominant and dominant chords.
A similar exercise using chords from the key of the dominant.
Initial exercises on the mordent placement.
C.L. Caton-Greasley CT ABRSM, DipLCM(TD), ALCM(TD), LLCM(TD)